When I heard that Feast of the Epiphany, the inaugural feature film from the publication Reverse Shot, melded documentary and fiction, I assumed it...

Society tends not to bat an eyelid at intergenerational relationships so long as the elder member of the pairing is a man. Even as unease mounts...

In Guatemalan writer/director Jayro Bustamante’s feature debut, Ixcanul (2016), the filmmaker shone a light on how an indigenous community around...

The 2019 Toronto International Film Festival (TIFF) felt unusually heavy with films concerning religion and its followers. Of the more than 30 films...

“A society should be judged not by how it treats its outstanding citizens,” wrote Dostoyevsky, “but by how it treats its criminals.” Genre...

For someone as obsessively Type A as me, the lead-up to a film festival as compact and curated as Fantasia can prove quite nerve-wracking. As an...

Is there such a thing as too much genre cinema? If so, then it would likely occur at Montreal’s Fantasia Festival, an over-three week long...

The Ringer declared last summer that the moment of horror is now here: "Millennial" is no longer a synonym for “young person.” The new cohort,...

In 2012, the first Avengers movie served as the closing night film for the Tribeca Film Festival. This year, the latest installment served as the...

If you’ve heard anything about Xavier Legrand’s Custody — admittedly, it’s possible you haven’t — it’s likely writer/director Xavier...

“Whiteness can incinerate a family with the heat equal to a bomb,” intones narrator Travis Wilkerson, the filmmaker and subject of Did You Wonder...

I skipped out on the big political event of the Toronto International Film Festival, the premiere of Michael Moore’s Fahrenheit 11/9, a screening...

“Addiction is our new default,” quips Juliette Binoche’s Selena in Non-Fiction, a special presentation at this year’s Toronto International...

“She really is so hard on herself,” remarks a relative of the titular character in Kent Jones’ Diane. A gaggle of cousins have come to...

Two new films released in April, Andrew Haigh’s Lean on Pete and Chloé Zhao’s The Rider, take place in the American West and contain plenty of...