
Our first report from Park City includes reviews of “If I Had Legs, I’d Kick You,” “The Thing with Feathers,” and more of this year’s Sundance selections.
Read moreOur first report from Park City includes reviews of “If I Had Legs, I’d Kick You,” “The Thing with Feathers,” and more of this year’s Sundance selections.
Read moreAs his administration comes to an end, what do the movies of the past four years reflect about Joe Biden’s successes and failures?
Read moreTom Cruise’s star vehicle has a greater depth and wider influence than you might think – even if it took several decades to become apparent.
Read moreThe Jim Carrey vehicle was a commercial smash on its release twenty years ago, but even its own sequel couldn’t replicate its unique appeal.
Read moreShe slashes, she slays, she … sings? On ‘M3GAN’ and a musical moment that is more than just another “WTF” head-scratcher.
Read moreWhile A24’s tenth anniversary got all the notice, it’s the trajectory of Megan Ellison and Annapurna Pictures that tells the real story of adult-oriented films over the past decade.
Read moreThe #GIRLBOSS is dead, but Nancy Meyers’ ‘The Intern’ is alive with ideas about what isn’t working for women in the workplace. It’s worth reconsidering in light of the disillusioning years since its release.
Read moreOur dispatch from the beloved documentary film festival (and, not incidentally, the last one before COVID).
Read moreSundance may have cancelled its Park City presence, but our correspondent “attended” the festival via one of its several satellite screens.
Read moreOur first dispatch from the Venice Film Festival, with looks at the Golden Lion-winning “Happening,” the winking satire “Official Competition,” Ana Lily Amirpour’s “Mona Lisa and the Blood Moon,” and the sublime “Reflection.”
Read moreWith “Cherry,” Tom Holland joins the ranks of heartthrobs who try to prove their Serious Actor mettle by dropping their baby fat and cranking up the tics.
Read moreThe filmmaker’s first two features join the Criterion Collection this week, but two of his later films have been dismissed as lesser efforts. Not so fast.
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