Jean-Jacques Annaud’s adaptation of Umberto Eco’s novel is a gorgeous and grotesque medieval whodunnit, proving that the conventional blockbuster can capture literary complexity.
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Jean-Jacques Annaud’s adaptation of Umberto Eco’s novel is a gorgeous and grotesque medieval whodunnit, proving that the conventional blockbuster can capture literary complexity.
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A new biography and retrospectives of journeyman director Richard Fleischer should bring new eyeballs to his masterful but underseen 1971 thriller.
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Though perhaps best known for his work with Spielberg, in his own directorial debut, David Koepp exhibited a decidedly less rosy view of humanity.
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Sixty years on from its first Swedish screening, Ingmar Bergman’s mid-career masterpiece remains a slippery, enigmatic litmus test for audiences.
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On its 75th anniversary, a look at the many off-kilter charms of the Cary Grant and Joseph L. Mankiewicz collaboration.
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Lionel Barrymore plays a delightfully arrogant murderer in this cruelly efficient piece of pre-Code nastiness from nearly a century ago.
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A hard-boiled detective uncovers a conspiracy to assassinate Abraham Lincoln in Anthony Mann’s unique fusion of history and film noir, released 75 years ago this week.
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What initially looked like (and was probably intended as) a dopey Todd Phillips-style comedy instead plays now as an indictment of the assumptions of the university system.
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Why did Alan Parker’s working-class musical mean so much to young people in the pre-Nirvana 1990s, and how could it resonate with digital natives coming of age today?
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This tragically unseen 1976 gem tapped into a unique pre-AIDS moment in queer history.
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“That’s the way I became a filmmaker. You get tired of going to the movies and seeing stuff that you don’t […]
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Brian De Palma took inspiration from Alfred Hitchcock for his 1976 romantic thriller, but he more than made it his own.
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