Our mini-reviews of “Jeffrey Dollmer,” “The Correspondent,” “Silver Screamers,” and more of this week’s on-demand treasures and trash.
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Director Brian Desmond Hurst’s adaptation of Charles Dickens’ holiday classic premiered 75 years ago on Halloween, which is more fitting than it might seem.
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Our mini-reviews of “Clean Hands,” “I See the Demon,” “Love Language,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Backpay,” “Dolph: Unbreakable,” “Tie Die,” and more of this week’s on-demand treasures and trash.
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Between Brian De Palma and Mike Flanagan, three other filmmakers made flawed but fascinating attempts to bring Stephen King’s horror classic to the screen.
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Our mini-reviews of “The Depths,” “Twiggy,” “Battle Cabin,” and more new under-the-radar on-demand offerings.
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Released 20 years ago this week, Brian De Palma’s neo-noir is overdue for the critical reassessment given to his other misunderstood masterpieces.
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Our mini-reviews of “Maya & Samar,” “The Militia,” “Knightfall,” and more of this week’s on-demand treasures and trash.
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Lionel Barrymore plays a delightfully arrogant murderer in this cruelly efficient piece of pre-Code nastiness from nearly a century ago.
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A hard-boiled detective uncovers a conspiracy to assassinate Abraham Lincoln in Anthony Mann’s unique fusion of history and film noir, released 75 years ago this week.
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Our mini-reviews of “The Birthday Party,” “If These Walls Could Rock,” “Over/Under,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Son of Sara,” “Evil Follows,” “Demon Hunters,” and more of this week’s on-demand treasures and trash.
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