Author: Kayleigh Donaldson

The 1977 cult favorite (joining the Criterion Collection this week) is a “Salò”-esque fable of the tackiness of fascism.

Before “Backrooms”, we had “Beyond the Black Rainbow,” an intense and surreal take on the liminal horror genre that’s now part of internet lore.

With another Mummy movie on the way, let’s look back at Hammer Horror’s stylish but limited dive into the genre.

Larry Cohen’s Hitchcock riff is a scuzzy New York noir about the inherently voyeuristic nature of movie-making.

In Luis Buñuel’s overlooked adaptation, the frenzied emotions of Heathcliff and Cathy are transported to the barren plains of Mexico.

Remaking “Psycho” was always a fool’s errand, but Gus Van Sant’s infamous shot-for-shot redo is a fascinating experiment in reinterpreting a classic.

Hollywood has always struggled to adapt the works of the legendary Stephen Sondheim to film, and Tim Burton’s take on “The Demon Barber of Fleet Street” shows both the benefits and risks.

Zhang Yimou’s début kicked off a legendary partnership with actress Gong Li, and signaled the beginning of a new era of Chinese cinema.

In Richard Kelly’s notorious flop, the fevered landscape of post-9/11 America gets the ambitious and aggravating portrait it deserves.

In Joyce Chopra’s adaptation of a Joyce Carol Oates short story, growing up is hard to do — especially when there’s a predator knocking on your door.

The cycle of violence is grotesque and stupid as director Miike takes movie gore to depraved new depths.