An appreciation of the under-appreciated Rosanna Arquette and Vincent Spano vehicle that was writer/director John Sayles’s first and last studio film.
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An appreciation of the under-appreciated Rosanna Arquette and Vincent Spano vehicle that was writer/director John Sayles’s first and last studio film.
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We kick off our annual series of anti-Valentine’s Day fare with Steven Spielberg and George Lucas’s dual-divorce movie.
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Martin Scorsese’s 1974 Oscar winner, now streaming on Netflix, is an outlier in his filmography… or is it?
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Norman Jewison’s 1979 courtroom comedy/drama, now streaming on Amazon Prime Video, features Al Pacino at his roaring, twitching, sweating best.
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Director Don Siegel’s “Dirty Harry” follow-up was 1973’s “Charley Varrick” (now streaming on Netflix), a lean, mean, nasty little heist thriller starring… Walter Matthau?
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Michael Cimino’s controversial Oscar winner (now streaming on Netflix) remains a model of atmosphere, authenticity, and mood.
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Scott Eyman’s excellent new book chronicles how art sex and politics collided to drive a genius out of the country.
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The 1982 Tobe Hooper/Steven Spielberg team-up remains one of the latter’s most fascinating works, both revisiting and subverting his recurring preoccupations.
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Robert Bresson’s penultimate film — now streaming on the Criterion Channel — remains challenging, difficult, and darkly funny.
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Robert Redford and George Roy Hill’s 1975 reunion (now streaming on Netflix) is a fascinating experiment in tonal shifts and audience empathy.
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When Robbie Robertson passed last month, he left behind arguably the greatest concert film ever made.
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Alain Resnais’ 1959 drama, now streaming on the Criterion Channel, asks again-timely questions about dramatizing tragic events.
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