The Austin-based genre festival offered some frustrations for attendees, but the selections were as solid as ever.
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The Austin-based genre festival offered some frustrations for attendees, but the selections were as solid as ever.
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Disney’s long-awaited spooky season sequel is a cynical, careless cash grab.
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Olivia Wilde’s MUCH-discussed psychological drama may not have justified the festival hubbub, but it’s still worth checking out.
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The latest from filmmaking-writing-acting team Jeff Baena and Alison Brie boasts juicy performances but a sour tone.
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Over the course of two movies and a handful of TV episodes, Dan Trachtenberg has demonstrated he’s a sure hand at […]
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Jono McLeod’s Sundance selection is a documentary with a trick or two (or, perhaps, a trick too many) up its sleeve.
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Olivia Newman’s much-ballyhooed adaptation of the 2018 bestseller is a maddeningly generic piece of work.
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The new horror thriller offers up some striking visuals and compelling themes, but fumbles the execution.
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Cooper Raiff’s Sundance sensation betrays its creator’s youth, but it’s a charming, likable movie nonetheless.
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The new film adaptation of the Broadway smash is ill-conceived on nearly every level.
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More from the Toronto International Film Festival, including mini-reviews of ‘The Starling,’ ‘Listening to Kenny G,’ ‘The Electric Life of Louis Wan,’ and more:
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Michael Showalter’s seriocomic biopic has its share of missed opportunities, but the performances (particularly Jessica Chastain in the title role) bring it home.
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