This fraught but funny anti-rom-com was so ahead of its time, it was deconstructing a genre before it even truly existed.
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The collision of Jean Simmons and Robert Mitchum in “Angel Face” led Jacques Rivette to call the film the secret to understanding director Otto Preminger’s work. Here we look at this gem of film noir.
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In its unsparing depiction of a con job, the dynamic between the conman and his victim is both depressingly transparent and truly mystifying.
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Our round-up of anti-Valentine’s fare continues with Bob Fosse’s feature directorial debut, adapting his hit stage musical into an unconventional musical comedy.
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We kick off our annual series of anti-Valentine’s Day fare with Steven Spielberg and George Lucas’s dual-divorce movie.
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