If epics are defined as a “body of legend or tradition” illuminating the lives of single, indefinable people, all of Powell and Pressburger’s work could be described as “epic”.
Read moreTo re-record or lip-sync, that is the question.
Read moreWith Alex Garland’s ‘Civil War’ in theaters, we take a look at the long history of blowing up the nation’s capital in the movies.
Read moreOn its 20th anniversary, a look back at Lars von Trier’s controversial and divisive Nicole Kidman vehicle.
Read moreOur round-up of anti-Valentine’s fare continues with Bob Fosse’s feature directorial debut, adapting his hit stage musical into an unconventional musical comedy.
Read moreThe image of the protagonist running across space on New Year’s Eve is a potent one, scattered across cinema history, with classic films redefining it for a new era and a new audience. What does it convey about our desire for newness and progression?
Read moreDavid Lowery’s 2021 adventure lives in the darker side of the holidays, embracing the horror of facing the oncoming year.
Read moreThough classic ghost stories are told time and time again, Alejandro Amenábar’s ‘The Others’ reminds us that each retelling can be surprising and scary.
Read moreMartin Scorsese’s ‘The Age of Innocence’ remains one of the only adaptations of Edith Wharton’s work. On its 30th anniversary, we explore what binds these two artists together.
Read moreThirty years ago, ‘The Wedding Banquet’ introduced audiences to Ang Lee’s cinematic musings on repression and passion.
Read moreWith ‘Barbie’ hitting theaters this week, a look at how the director has used distinctive color palettes throughout her career.
Read moreWith the release of ‘White Noise,’ we look through Noah Baumbach’s films to see how he has reckoned with the question: can I live with the decisions I have made?
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