Author: Abby Olcese

The first of Netflix’s three “Fear Street” movies has a germ of a good idea, but the execution is off the mark.

Deftly mixing mumblecore, surrealism, and LGBTQ themes, Brandon Colvin’s comedy/drama is slight but sweet.

The Hulu-debuting pregnancy thriller is a mostly unsuccessful attempt to fuse ‘Rosemary’s Baby’ and ‘Get Out.’

Pixar’s latest animated feature is a Miyazaki-inspired summer treat.

Jessica Barden shines, and the details feel authentic, but Nicole Riegel’s drama is aimless and messy.

Christian Petzold’s latest is a modern-day urban fairy tale, wrapping delicate truths in its fantastical clothing.

Nobody asked for Disney’s latest experiment in live-action origin story IP exploitation, but it does offer some minor pleasures.

The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.

You don’t have to know its labored production and release history to diagnose ‘The Woman in the Window’ as an absolute mess. But that helps explain it.

Netflix’s new animated family comedy is a rollicking treat – with something to say about technology and personal connection.

How good is the latest feature film adaptation of the beloved video game? Well, that depends on what you want out of it.