Eric D. Snider has been a film critic since 1999, first for newspapers (when those were a thing) and then for the internet. He was born and raised in Southern California, lived in Utah in his 20s, then Portland, now Utah again. He is glad to meet you, probably.
Income inequality has seldom been funnier than in Parasite, a scathing satire-farce-tragedy-horror from South Korea's Bong Joon-ho (Snowpiercer, The...
Another one of this week's unnecessary sequels is Zombieland: Double Tap, a hit-or-miss follow-up to the perfectly good 2009 comedy that brings back...
You're familiar with the type of movie where a best-of-the-best secret agent is betrayed by his own government and must go on the run. Gemini Man is...
The animated reboot of The Addams Family, set in the present day, has everyone's favorite spooky Goth family (or second-favorite if you were more of...
A fully loaded SUV, parked on a Buenos Aires street, is the setting for 4x4, a Saw-inspired take on income inequality from Argentine director Mariano...
Considering how good America is at producing icons worthy of biopic treatment, it's ironic how bad we are at making biopics. The usual formula is for...
