On the eve of the release of “A Different Man,” we examine director Aaron Schimberg and star Adam Pearson’s previous collaboration
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Madonna spent decades searching for the perfect film vehicle – but she only really found it once.
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Paul Verhoeven left Hollywood to make a film about the Dutch resistance, but that didn’t mean he became respectable.
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The rock-and-roll greaser adventure movie, released 40 years ago this week, remains a fascinating anomaly and a one-of-a-kind jukebox oddity.
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Luchino Visconti’s adaptation of Thomas Mann’s novella (now streaming on the Criterion Channel) remains as thorny and complicated as ever.
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Fifty years after its release, the controversial drama still has the power to shock and unnerve.
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Ritchie’s feature directorial debut looked at first like a Tarantino knock-off — but would prove wildly influential in its own right.
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‘Zardoz’ may have a reputation as one of the worst films of the ’70s, but John Boorman’s twisty sci-fi demands far more than your memes.
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Joseph Losey’s 1963 drama is a good old-fashioned “F*** the Rich” tale.
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The Paris of Hemingway, Stein, and company is the stuff of legend, but in Alan Rudolph’s “The Moderns,” the myth comes crashing down to earth.
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Two decades ago, Park Chan-wook’s revenge thriller reinvented Korean cinema. A decade Later, Spike Lee remade it.
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In 1988, idiosyncratic filmmaker Ken Russell kicked off a three-picture deal with Vestron Pictures with a delightfully absurd, low-budget adaptation of one of Bram Stoker’s *other* novels.
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