This week’s pick is a killer noir, notable for its racy script and scorching performances by Barbara Stanwyck, Van Heflin, Kirk Douglas, and Lizabeth Scott.
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This week’s pick is a killer noir, notable for its racy script and scorching performances by Barbara Stanwyck, Van Heflin, Kirk Douglas, and Lizabeth Scott.
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Newly minted Oscar winner Michelle Yeoh’s first starring role was in this wild and wacky action comedy, now streaming on the Criterion Channel.
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You will believe a man can be an infant in the delightful cult oddity ‘The Baby,’ released 50 years ago this week.
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Jean Cocteau’s 1946 adaptation of ‘Beauty and the Beast’ is a luminous work, with edges that its subsequent versions have sadly sanded down.
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Alan Rudolph’s 1978 character study, long unavailable for home viewing, is now streaming on Amazon Prime – and it’s a sometimes puzzling and utterly scathing work.
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With ‘Possession’ finally available to stream, let’s take a look back at director Andrzej Zulawski’s early breakout film, a dark melodrama with its own cult following.
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Alfred Hitchcock’s messiest and most divisive film found a director whose name is synonymous with control losing it, big time.
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With Jerzy Skolimowski’s name back in the headlines for his Oscar-nominated “EO”, we look back at one of his early provocations.
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Clint Eastwood’s 1971 thriller, now on Netflix, raises a question or two about what it means for a movie to be “dated.”
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In anticipation for a new Preston Sturges retrospective, here’s a look at the director’s subversive screwball one-two punch from 1944.
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As awards season approaches, we look back at one of Elizabeth Taylor’s most misunderstood performances.
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This loose and engaging Eugene O’Neill adaptation from John Ford (in the middle of one of cinema’s great hot streaks) was the playwright’s own favorite film take on his work.
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