Our first report from Sundance 2024 includes mini-reviews of “Love Lies Bleeding,” “Girls State,” and “It’s What’s Inside.”
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The new backwoods thriller wants to be a solemn, occult-tinged parable on how real-life evil will always be more damaging and destructive than mythical evil. But it comes out looking like a banal, buffoonish mess.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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The new musical remake is bright and energetic, but doesn’t really add much to an untouchable original.
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Jake Johnson makes his directorial debut with this weird high-concept comedy.
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Our mini-reviews of “A Place Of Our Own,” “Hellhounds,” “Hellhound” (two different movies!) and more.
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Daniel Levy’s feature directorial debut is a cozy, comforting comedy about how love and friendships help us through pain.
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The skillful playing of this musical adaptation can’t make up for the sheer miscalculation at its center.
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“Much Ado About Nothing” gets an R-rated update with this raunchy rom-com starring Glen Powell and Sydney Sweeney.
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They may shirk the label, but both “Maestro” and “Ferarri” tell us much about the ubiquity — and the limitations — of biopics in contemporary American prestige cinema.
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Andrew Haigh’s intimate, time-bending romance is worth the ugly cry.
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Though Sean Durkin’s latest is undeniably well-acted and beautifully made, the dramatic lives of the wrestling Von Erich family make for oddly undramatic storytelling.
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