The Sydney Sweeney-fronted (and produced) religious horror thriller leans too heavily on cheap thrills and jump scares.
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The Sydney Sweeney-fronted (and produced) religious horror thriller leans too heavily on cheap thrills and jump scares.
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“West Indies” is an unusual musical which calls for revolution against the persistence of colonialism and capitalist exploitation.
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Our mini-reviews of “The Last Year of Darkness,” “Easter Bloody Easter,” “Powder Pup,” and more straight-to-home fare.
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There is not enough whiskey in the world to make this Lindsey Lohan romance worth watching.
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Our second report from SXSW focuses on fiction instead of documentary – and the films that fall somewhere in between.
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Our first report spotlights the wide range of quality non-fiction film (and television) screening in Austin.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Amazon’s new remake of the 1989 action fave is a real puzzler – a reasonably well-made exercise in head-scratching IP revisionism.
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Kristen Stewart and Katy O’Brian kill it in this immensely pleasurable — and immensely dark — romantic thriller.
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Our reviews of “Murdaritaville,” “Night Shift,” One-Percent Warrior,” and more new movies for home viewing.
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“Los Espookys” creator Julio Torres makes his big-screen debut with this wonderfully odd comedy about the Latino immigrant experience.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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