The rise and fall of WeWork could make for a compelling documentary, but the new Hulu feature isn’t it.
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What should be a slam-bang monster extravaganza is instead a confused mess of subplots, backstories, and nonsense.
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The Eric Andre comedy is (unsurprisingly) broad, vulgar, and over-the-top, and (surprisingly) sweet as well.
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The Anthony Hopkins / Olivia Colman vehicle sounds like formula Oscar bait, and on its surface, maybe it is. Look deeper.
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Our mini-reviews of ‘Phobias,’ ‘Shoplifters of the World,’ ‘To Whom It May Concern,’ and more.
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The genre-infused relationship comedy boasts a terrific cast and clever concept, even if it doesn’t quite stick the landing.
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The Russo Brothers’ latest is a mess, a mishmash of visual and storytelling clichés, stranding a miscast Tom Holland in an embarrassing attempt at a Serious Crime Movie.
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“Yes Day” isn’t going to set the world on fire, but it’s a pleasant enough diversion and a serviceable family entertainment.
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Our mini-reviews of ‘Cosmic Sin,’ ‘The Dead of Night,’ ‘Dark Web: Cicada 3301,’ and more.
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The long-awaited sequel to Eddie Murphy’s 1988 comedy classic hits all the notes you’d expect – and that’s the problem.
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Disney’s latest is a lush, detailed, joyful feature that offers viewers a much-needed shot of beauty and adventure.
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Apple TV+’s new Billie Eilish documentary offers extensive access, copious music, and even some thought-provoking material on fame and fandom.
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