Daisy Ridley stars as a woman who struggles to connect with other people in this humble, gently affecting indie.
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Daisy Ridley stars as a woman who struggles to connect with other people in this humble, gently affecting indie.
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Amazon Prime’s Snoop Dogg sports comedy is a waaaaay too familiar riff on the “Bad News Bears” formula.
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The new backwoods thriller wants to be a solemn, occult-tinged parable on how real-life evil will always be more damaging and destructive than mythical evil. But it comes out looking like a banal, buffoonish mess.
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The new musical remake is bright and energetic, but doesn’t really add much to an untouchable original.
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Jake Johnson makes his directorial debut with this weird high-concept comedy.
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Daniel Levy’s feature directorial debut is a cozy, comforting comedy about how love and friendships help us through pain.
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The skillful playing of this musical adaptation can’t make up for the sheer miscalculation at its center.
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“Much Ado About Nothing” gets an R-rated update with this raunchy rom-com starring Glen Powell and Sydney Sweeney.
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Andrew Haigh’s intimate, time-bending romance is worth the ugly cry.
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Though Sean Durkin’s latest is undeniably well-acted and beautifully made, the dramatic lives of the wrestling Von Erich family make for oddly undramatic storytelling.
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Who could’ve imagined that such a creatively bankrupt idea would yield one of the year’s most charming films?
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Yorgos Lanthimos’s latest is a bit of a one-joke movie, though to be fair, it’s an awfully good joke.
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