The new film from Ava DuVernay is a well-meaning letdown looks like it was made to play in every middle school that isn’t scared to show students something that resembles critical race theory.
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The new film from Ava DuVernay is a well-meaning letdown looks like it was made to play in every middle school that isn’t scared to show students something that resembles critical race theory.
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William Oldroyd’s adaptation of Ottessa Moshfegh’s novel is a wickedly entertaining mash-up of psychological thriller, film noir, and lesbian pulp.
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Todd Haynes still surprises with this blackly comic drama inspired by the Mary Kay Letourneau scandal.
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Ridley Scott’s latest is more than it appears, a sly comedy and psycho-sexual drama wrapped in a historical epic’s clothing.
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Emerald Fennell’s “Promising Young Woman” follow-up boasts fine performances and some memorable dialogue, but simply can’t sustain its clever premise.
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Colman Domingo has a blast as gay Black activist Bayard Rustin in George C. Wolfe’s “Rustin,” quite possibly the jazziest civil rights movie ever made.
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David Fincher’s latest Netflix piffle is stylish as hell – and just as empty.
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This A24 film can’t maintain the level of either its wild concept or its lead performance from Nicolas Cage.
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Netflix’s bio-documentary of Sylvester Stallone is undeniably entertaining, but its omissions are as telling as its inclusions.
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Jessie Buckley and Riz Ahmed add heart to this blackly comic, near-future love story.
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Alexander Payne’s latest is a conscious throwback – and a successful one.
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This enjoyably silly Lovecraft adaptation is Stuart Gordon-lite.
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