Maryam Keshavarz imbues this multi-generational story about an Iranian-American woman and her mother with wild energy.
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Maryam Keshavarz imbues this multi-generational story about an Iranian-American woman and her mother with wild energy.
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Raoul Peck’s “Silver Dollar Road” is yet another well-made documentary about Black people getting screwed.
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Martin Scorsese’s latest is a towering achievement – a culmination and expansion of a second-to-none filmography.
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There are not enough synonyms for “weird” to describe this delightfully dirty A24 musical comedy.
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Kitty Green’s tense drama pits two women against a world of bad men in the Australian Outback.
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Kristen Roupenian’s ‘New Yorker’ short story becomes one of the most bafflingly batty films of the year.
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Rebecca Miller’s comedy squanders a great cast and a fun premise with a crazy twist.
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‘Cassandro,’ starring the eternally baby-faced Gael Garcia Bernal, is a captivating portrait of an LGBTQ athlete persevering in an homophobic, oppressive industry (and culture). Unfortunately, it’s also sus as hell.
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Basically a feature-length “American Masters” episode, it’s a standard-issue but satisfying documentary on the sharp-dressed square who set off the new wave of rock-star reporters in the 1960s.
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Historical monster Augusto Pinochet turns into a literal vampire with this beautifully shot horror comedy from Pablo Larraín.
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Craig Gillsepie’s dramatization of the GameStop stock saga is fast and funny, with razor-sharp work by its stellar ensemble cast.
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This well-meaning but poorly executed friendship drama has its fingers in too many pies.
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