This horror comedy has a juicy premise and some gifted performers, but it never quite comes together properly.
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This horror comedy has a juicy premise and some gifted performers, but it never quite comes together properly.
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Pixar’s latest animated feature is a Miyazaki-inspired summer treat.
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Jessica Barden shines, and the details feel authentic, but Nicole Riegel’s drama is aimless and messy.
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Though prone to occasional slickness, the film adaptation of Lin-Manuel Miranda’s Broadway hit is infectious, joyful, and frequently moving.
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The latest installment in the durable horror franchise is a mixed bag: solid performances from its leads, hampered by a fatally flawed home stretch.
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Christian Petzold’s latest is a modern-day urban fairy tale, wrapping delicate truths in its fantastical clothing.
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Nobody asked for Disney’s latest experiment in live-action origin story IP exploitation, but it does offer some minor pleasures.
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John Krasinski’s sequel to his alien monster horror hit shows, oddly enough, little understanding of what made the first film work so well.
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The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.
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Michel Franco’s bitterly neo-realistic social drama is a grim, unpleasant, and rarely insightful slog.
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You don’t have to know its labored production and release history to diagnose ‘The Woman in the Window’ as an absolute mess. But that helps explain it.
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David Charbonier and Justin Powell’s low budget horror movie is eerily effective, thanks to a resourceful approach and a spellbinding leading performance.
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