With each new Pixar release, there’s a temptation to immediately see where it ranks. How does it stack up to The […]
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Leigh Whannell’s The Invisible Man feels like three kinds of genre films melded together. One is a thriller about escaping an […]
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The Call of the Wild will be the first encounter for some viewers (including this one) with the Disney-owned 20th Century […]
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The Photograph is a movie that feels needlessly unsure of the story it wants to tell. Stella Meghie’s romance is, at […]
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It’s significant that Portrait of a Lady on Fire is written and directed by a woman–Celine Sciamma–as well as photographed by […]
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Knowing a little about Come to Daddy’s creative pedigree is probably the biggest indicator of your potential reaction to this wild […]
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Perhaps the most infuriating thing about Dolittle is that somewhere beneath its inappropriate jokes, poorly developed characters and Robert Downey Jr.’s […]
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If cinema is, as Roger Ebert famously put it, a machine that generates empathy, the camera is its motor. What a […]
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Tom Hooper’s Cats announced what kind of movie it was going to be when the first trailer dropped this summer. The […]
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The story of Bombshell was always going to be difficult to master tonally. It’s a movie about the female employees of […]
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Peter Strickland has always been a filmmaker on his own wavelength, making uniquely crafted movies like Berberian Sound Studio and The […]
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Rian Johnson’s Knives Out is both a loving tribute to the murder mystery genre and a scathing satire of white privilege […]
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