Rob Reiner’s adaptation of Stephen King’s novel, released 30 years ago this week, remains a fascinating examination of creative work, fandom, and femininity.
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Rob Reiner’s adaptation of Stephen King’s novel, released 30 years ago this week, remains a fascinating examination of creative work, fandom, and femininity.
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The 1990 comedy, released 30 years ago this week, is a holiday perennial and family favorite. So what are we to make of the intensity of its slapstick violence?
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On the 20th anniversary of its release, a look back at the astonishingly visceral, deeply felt performance by the great Ellen Burstyn.
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A look at the inaugural edition of the virtual genre film festival, featuring mini-reviews of ‘Anything But Jackson,’ ‘Come True,’ ‘The Queen of Black Magic,’ and more.
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Vernon Zimmerman’s horror thriller (released 40 years ago this week) is sort of like if Film Twitter became a serial killer.
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Abel Ferrara’s crime drama, released 30 years ago this week, casts Christopher Walken as a singularly coldblooded antihero.
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Death be not proud, though some have called theeMighty and dreadfull, for, thou art not soe,For, those, whom thou think’st, thou […]
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“If everybody want to stick together, I stick with ‘em. But if nobody want to stick together, I stick alone, by […]
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I grew up in the Rotten.com days. For the morbid adolescent, crime scene photos and grisly images of freak accidents were […]
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On May 8, 1970, the AFL-CIO mobilized some two hundred New York City construction workers and sicc’ed them on about a […]
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The first two minutes of Robert Hiltzik’s 1983 feature film crawl forward from the lake setting with overwhelming Manfredini-esque horns and […]
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When the semi-annual conversation on female buddy movies resurfaces, there are usual suspects. Thelma and Louise. B.A.P.S. Romy and Michelle’s High […]
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