
Two of this year’s most acclaimed pictures examine, in their own unique ways, the mythology and reality of American life
Read moreTwo of this year’s most acclaimed pictures examine, in their own unique ways, the mythology and reality of American life
Read moreMarielle Heller’s latest rides into the winter amid festival praise and awards buzz. But there’s something vapid at its center.
Read moreThanks to the inspiration Wes Craven drew from lived experiences, ‘A Nightmare on Elm Street’ (which turns 40 this week) maintains a tenuous but powerful connection to the real world, making it all the more chilling.
Read moreBack in the day, Disney Channel Original Movies (or DCOMs, if you like) were event television for the preteen set. During […]
Read moreOn the 30th anniversary of Tim Burton’s bonkers biopic, a celebration of the Oscar-winning work of Martin Landau.
Read moreThe charming Julie Andrews may have a reputation for being essentially a piece of confectionery in human form, but that doesn’t mean she wasn’t capable of delivering the most genteel burn in awards speech history.
Read moreOur report from the French Riviera, including mini-reviews of “Megalopolis,” “Emilia Perez,” “Kinds of Kindness” and the Palme d’Or winner “Anora.”
Read moreReese Witherspoon portrays Tracy Flick as something teenage girls in film are so rarely allowed to be: unrepentantly ruthless in their ambition.
Read moreStaring down declining ratings and a sense of lost relevancy, the Oscar ceremony has contorted itself into pretzels trying to reclaim its former glory. But there’s a simple solution.
Read moreThere’s only one reason to talk about “Eurotrip” two decades on: the pitch-perfect adultery anthem at its center.
Read moreNestled within the dramatic conducting sequences and prosthetic noses of “Maestro” is a quiet moment of grief so understated that it almost feels like it was an accident that it was included in the first place.
Read moreIn boarding school dramas like ‘Dead Poets Society,’ ‘Tea and Sympathy,’ ‘The Emperor’s Club,’ and the new ‘The Holdovers,’ filmmakers deftly explore the complications of upper-class abandonment.
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