John Sturges’s masterful mash-up of Western, film noir, and social commentary is a lean, mean, 81-minute masterclass in Hollywood craft.
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John Sturges’s masterful mash-up of Western, film noir, and social commentary is a lean, mean, 81-minute masterclass in Hollywood craft.
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Forty years ago, Merchant Ivory’s first big hit debuted in theaters and period pieces haven’t been the same since.
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John Schlesinger’s 1985 spy thriller boasts fine performances from Timothy Hutton and Sean Penn, and a refreshingly cynical view of the American intelligence apparatus.
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Marlon Brando’s sole directorial effort remains a fascinating and occasionally confounding conflation of the old and the (then-) new.
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Robert Bresson wanted to make a film about King Arthur’s court for two decades before he got the chance. He used the time to distill it down to its essence.
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In memory of the great Robert Duvall, a look back at the role that won him his Oscar.
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This 1931 comedy stands as one of the great films of the late silent era, a testament to the potent universality of Charlie Chaplin’s vision.
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Ingmar Bergman didn’t like to dwell on his directorial debut, but it’s worth watching to see his cinematic vision in its larval state.
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John Wayne and John Ford’s final collaboration is a freewheeling goof, a hang-out movie full of drinking, brawling, singing, and camaraderie.
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The Maysles Brothers’ documentary about a pair of eccentric patrician recluses is not just a spectacle of decay, but a portrait of captivating, irrepressible vitality.
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Gregory La Cava’s 1936 hit is the quintessential screwball comedy, a rapid-fire, ceaselessly funny exploration of sex, class, and chaos.
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With a new Mel Brooks documentary on HBO Max, we take a look at his most controversial comedy.
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