‘Sopranos’ creator David Chase only penned two theatrical films before the upcoming ‘Many Saints of Newark’ – but both share fascinating common themes with his best known work.

Our mini-reviews of ‘Zone 414,’ ‘When I’m A Moth,’ and more of this week’s direct-to-VOD titles.

The 2021 Karlovy Vary Film Festival paid tribute to the outstanding work of Martin Scorsese’s Film Foundation.

The 1998 drama – long MIA in the U.S. – makes its Criterion debut, and provides ample evidence of the beloved filmmaker’s gift for insightful empathy.

It’s a very big summer for Sparks, with an acclaimed documentary in theaters and a feature musical at Cannes. But their cinematic endeavors weren’t always so successful

"The Green Knight" is the latest attempt to bring the stories of the Knights of the Round Table to the screen - and it's proven trickier than you'd think.

Our mini-reviews of 'Great White,' 'How to Deter a Robber,' 'The Nest,' and more.

From ‘Siberia’ and ‘The Lighthouse’ to ‘Antichrist’ and ‘The Last Temptation of Christ,’ Willem Dafoe has refined the archetype of the modern man confronting the forces of nature.

Mini-reviews of ‘Scenes from an Empty Church,’ ‘Hatched,’ ‘Road to the Lemon Grove,’ and more of new direct-to-VOD titles.

Steven Soderbergh’s latest crime picture offers the expected and customary genre pleasures – with a twist.

Our mini-reviews of ‘Les Nôtres,’ ‘Finding Ophelia,’ ‘Take Back,’ and more.

In an increasingly tricky critical environment, there’s something oddly comforting about revisiting reruns of the two most iconic critics of their era.

Our mini-reviews of 'Edge of the World,' 'Blackstock Boneyard,' 'La Dosis,' and more.

“Cruella” rather clumsily attempts to appropriate the feel and style of punk-era London. Let’s look at four films that captured it better.

After a year of lockdown, luring moviegoers back to theaters won't be easy. But if the past is any indication, it'll take a little of the ol' razzle-dazzle.