
In the midst of an unprecedented global pandemic, many of us are grappling with worry and fear. Being forced to forgo […]
Read moreIn the midst of an unprecedented global pandemic, many of us are grappling with worry and fear. Being forced to forgo […]
Read moreAn eerily prescient expression of our current “sheltering in place” reality, Vivarium is a clever, deeply disturbing speculative fiction. Its stylized […]
Read moreThe central metaphor of “zombie apocalypse” cinematic narratives is the “rising up” of beings signifying “The Other” and their aggressive urge […]
Read moreBlood on Her Name opens with a scene of intense immediacy. A young woman stands above a man’s corpse lying in […]
Read moreHarvey Weinstein’s name is never mentioned in The Assistant, Kitty Green’s narrative feature debut, but his presence permeates every frame. The […]
Read moreThere’s a lot to like in The Shed, the feature debut of writer-director Frank Sabatella, but there is also, well, just […]
Read moreThe opening of Graham Swon’s debut feature, The World is Full of Secrets, is intriguing and odd: a shadowy background of […]
Read moreHere’s your motivation: You’re lost! You’re angry, wandering through a hellscape of slasher flicks and torture porn and random demons that […]
Read moreAndrea Riseborough did some terrific work in 2018, but my pick for her finest role is the title character in Nancy, […]
Read moreThis British film set on the island of Jersey is a stunning feature debut by Michael Pearce. Jessie Buckley plays Moll, […]
Read moreLike any good Gen Xer, I trace my love of horror movies to the made-for-TV movies of the 1970s. Inspired by […]
Read moreArguably the first mainstream American film to portray contemporary occultism in depth, Roman Polanski’s Rosemary’s Baby — released 50 years ago this […]
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