Our first report from the Toronto International Film Festival includes mini-reviews of “Nightbitch,” “On Swift Horses,” “Conclave,” and more.
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Our first report from the Toronto International Film Festival includes mini-reviews of “Nightbitch,” “On Swift Horses,” “Conclave,” and more.
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Did the 81st edition of the Venice Film Festival live up to its decades-long reputation?
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The 2024 Karlovy Vary Film Festival devoted part of its lineup to the Western genre.
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Our final report from Tribeca Festival includes mini-reviews of “Jazzy,” “Checkpoint Zoo,” and multi-award winner “Griffin in Summer.”
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Our first report from this year’s Tribeca Festival includes new documentaries on Elizabeth Taylor and Powell & Pressburger.
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Nearly a century after its premiere, Abel Gance’s silent epic is finally available in its original form.
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Our report from the French Riviera, including mini-reviews of “Megalopolis,” “Emilia Perez,” “Kinds of Kindness” and the Palme d’Or winner “Anora.”
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Our second report from SXSW focuses on fiction instead of documentary – and the films that fall somewhere in between.
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Our first report spotlights the wide range of quality non-fiction film (and television) screening in Austin.
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Amazon’s new remake of the 1989 action fave is a real puzzler – a reasonably well-made exercise in head-scratching IP revisionism.
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The 74th Berlinale was a bittersweet experience, albeit an overall rewarding one.
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A look at the offerings of this year’s IFFR, including “DUCK,” “Piano 17,” “78 Days,” and more.
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