Antoneta Alamat Kusijanovic’s keenly observed drama zigs when you expect it to zag, drawing the viewer in with four perfectly tuned performances.
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Claire Denis’ latest isn’t her first movie to deal with infidelity, but her third collaboration with Juliette Binoche still uncovers new ground in the erotic thriller genre.
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This Regency rom-com has the expected empire-waist dresses of Austen adaptations, but it misses what makes her work so enduring.
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The new horror thriller offers up some striking visuals and compelling themes, but fumbles the execution.
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Peter Strickland is a true original – and his latest feature, unsurprisingly odd as it is, may also be his most approachable.
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An expansion of a trio of viral shorts is, surprisingly, one of the most profound and introspective films to come out of COVID isolation cinema.
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Our mini-reviews of “Murder at Yellowstone City,” “Guidance,” “Granada Nights,” and more.
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Cooper Raiff’s Sundance sensation betrays its creator’s youth, but it’s a charming, likable movie nonetheless.
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Emma Thompson is raw and radiant in the sex-positive crowd-pleaser the movie landscape needs right now.
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Adam Sandler’s latest Netflix effort is wildly predictable, but held aloft by the charisma of its players.
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Our mini-reviews of ‘I’m Charlie Walker,’ ‘Sewer Gators,’ ‘ScarfFace,’ and more.
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David Cronenberg’s latest is a body-horror infused sci-fi film noir more interested in posing questions than answering them.
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