Our dispatch from Austin, featuring mini-reviews of ‘Bodies Bodies Bodies,’ ‘Tony Hawk: Until the Wheels Fall Off,’ ‘The Unbearable Weight of Massive Talent,’ and more.
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Pixar’s newest animated feature is a sweet, charming delight – and, in spite of what you might have heard, an extremely relatable one.
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Ryan Reynolds’ latest Netflix action vehicle is about as generic as you’ve come to expect.
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Our mini-reviews of ‘Heckle,’ ‘Nightride,’ Moon Manor,’ and more.
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Kogonada’s new soft sci-fi is a thoughtful, emotional exploration of memory, family, and interconnectedness.
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Matt Reeves’ pitch-black take on the Dark Knight is less like a superhero movie than a neo-noir crime thriller.
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Joe Wright’s musical adaptation of the venerable romantic drama is a little bit messy, a little bit peculiar – and plenty affecting.
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The latest from the appropriately named Adams family (out tomorrow on Shudder) is another step forward for the horror-making brood.
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Our mini-reviews of ‘Family Squares, ‘Ted K,’ Big Gold Brick,’ and more.
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Netflix’s new “direct sequel” to the 1974 masterpiece is a shameless travesty, and an embarrassingly transparent attempt to recreate the success of the 2018 “Halloween.”
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Channing Tatum makes his (co)directorial debut in a film that is not without its charms – or considerable flaws
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It sounds like a garden-variety YA adaptation, but the voice of innovative director Josephine Decker cannot be stifled.
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