Mia Hansen-Løve’s latest is a delightful exploration of art, relationships, and how they overlap.
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Mia Hansen-Løve’s latest is a delightful exploration of art, relationships, and how they overlap.
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Our mini-reviews of “American Insurrection,” “Coppelia,” “Dashcam,” and more.
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Cary Joji Fukunaga’s No Time to Die is a fitting finale to the Daniel Craig era of James Bond, which eschewed […]
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Valdimar Jóhannsson’s psychological thriller / familial drama is another case of the ol’ A24 bait-and-switch, but it’s an affecting piece of work for open-minded audiences.
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The Palme d’Or winner from director Julia Ducournau is a full meal of a movie – by turns shocking, sexy, scary, and heartfelt.
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Our mini-reviews of ‘East of the Mountains,’ ‘American Night,’ ‘Val,’ and more.
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Netflix’s new Melissa McCarthy vehicle is an odd mishmash of incongruent tones and poorly developed characters.
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The new film adaptation of the Broadway smash is ill-conceived on nearly every level.
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Clint Eastwood’s latest stumbles a bit on its way out of the gate, but eventually settles in as an enjoyable and even moving character-driven drama.
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Michael Showalter’s seriocomic biopic has its share of missed opportunities, but the performances (particularly Jessica Chastain in the title role) bring it home.
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Our mini-reviews of ‘Dark Blood,’ ‘Death Drop Gorgeous,’ ‘Giddy Stratospheres,’ and more:
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The new-to-Netflix action flick may be built from recycled parts, but Mary Elizabeth Winstead gives it the lift it needs.
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