The latest low-budget genre quickie from producer (and now director) Randall Emmett offers up about what you’d expect: clumsy storytelling, strange casting choices, and about 15 minutes of Bruce Willis.
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Our mini-reviews of ‘Great White,’ ‘How to Deter a Robber,’ ‘The Nest,’ and more.
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The third and final ‘Fear Street’ film is, sadly, more of the same – a few good ideas, some enjoyable performances, but little in the way of follow-through.
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The new Nicolas Cage vehicle ‘Pig’ is being sold as an action-heavy ‘John Wick’ riff. It is not that movie AT ALL.
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The kindest reading of Space Jam 2: A New Legacy is that it exists only to extend the brand of NBA […]
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Marvel is back in the theaters – with a low-energy, checkbox-ticking entry, noteworthy only for the happy addition of a welcome supporting player.
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Netflix’s second “Fear Street” film is a stronger effort than the first – and more steeped in the style (and gore) of its era.
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Mini-reviews of ‘Scenes from an Empty Church,’ ‘Hatched,’ ‘Road to the Lemon Grove,’ and more of new direct-to-VOD titles.
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The first of Netflix’s three “Fear Street” movies has a germ of a good idea, but the execution is off the mark.
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Deftly mixing mumblecore, surrealism, and LGBTQ themes, Brandon Colvin’s comedy/drama is slight but sweet.
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“Zola” is entertaining, to be sure, but this Twitter-thread journey is ultimately a road to nowhere.
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The Hulu-debuting pregnancy thriller is a mostly unsuccessful attempt to fuse ‘Rosemary’s Baby’ and ‘Get Out.’
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