The Russo Brothers’ latest is a mess, a mishmash of visual and storytelling clichés, stranding a miscast Tom Holland in an embarrassing attempt at a Serious Crime Movie.
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The Russo Brothers’ latest is a mess, a mishmash of visual and storytelling clichés, stranding a miscast Tom Holland in an embarrassing attempt at a Serious Crime Movie.
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“Yes Day” isn’t going to set the world on fire, but it’s a pleasant enough diversion and a serviceable family entertainment.
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Our mini-reviews of ‘Cosmic Sin,’ ‘The Dead of Night,’ ‘Dark Web: Cicada 3301,’ and more.
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The long-awaited sequel to Eddie Murphy’s 1988 comedy classic hits all the notes you’d expect – and that’s the problem.
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Disney’s latest is a lush, detailed, joyful feature that offers viewers a much-needed shot of beauty and adventure.
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Apple TV+’s new Billie Eilish documentary offers extensive access, copious music, and even some thought-provoking material on fame and fandom.
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Lee Isaac Chung’s family drama is deeply personal and deeply moving.
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Our mini-reviews of ‘Body Brokers,’ ‘Alone With Her Dreams,’ ‘Safer at Home,’ and more under-the-radar VOD titles.
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The new Netflix thriller ‘I Care A Lot’ is a sharply-told tale of con artists and casual criminals, with another knockout performance from Rosamund Pike.
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‘Portrait of a Lady on Fire’ star Noémie Merlant is back in ‘Jumbo,’ your average girl-meets-amusement-park-ride romance.
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The latest from ‘Bridesmaids’ screenwriters and co-stars Kristen Wiig and Annie Mumolo is an oddball delight.
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Shaka King’s dramatization of the murder of Fred Hampton is a rare historical drama that pulses with the urgency of now.
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