Steven Soderbergh’s latest crime picture offers the expected and customary genre pleasures – with a twist.
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Our mini-reviews of ‘Les Nôtres,’ ‘Finding Ophelia,’ ‘Take Back,’ and more.
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In an increasingly tricky critical environment, there’s something oddly comforting about revisiting reruns of the two most iconic critics of their era.
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Our mini-reviews of ‘Edge of the World,’ ‘Blackstock Boneyard,’ ‘La Dosis,’ and more.
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“Cruella” rather clumsily attempts to appropriate the feel and style of punk-era London. Let’s look at four films that captured it better.
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After a year of lockdown, luring moviegoers back to theaters won’t be easy. But if the past is any indication, it’ll take a little of the ol’ razzle-dazzle.
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The quintessential contemporary character actor’s four directorial outings dabble in a wide range of styles while raising recurring thematic concerns.
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In his inaugural Pee-wee Herman feature, Paul Reubens carved out a comic character worthy of comparison to Chaplin’s Little Tramp.
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The (comparatively) young animation studio behind ‘The Mitchells vs. the Machines’ is all over the map, in terms of style and quality – and that seems to be just what they’re striving for.
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The 2008 comedy, which is all over the streaming services this month, was something of a crossroads for writer/director Kevin Smith – and a tantalizing glimpse at what could have been.
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How the Nine Inch Nails frontman became one of the film industry’s most venerated composers.
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In the spring of 1981, and again a decade later, one of the world’s biggest movie stars tried to shake up his persona. But these things are easier said than done.
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