Our mini-reviews of “The Uncle,” “Because We’re Family,” “Guys at Parties Like It,” and more.
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Three interpretations of Herman Wouk’s “The Caine Mutiny” raise questions about the good and the bad of ingrained hierarchies, and what it means to dutifully and faithfully serve.
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Our mini-reviews of “Ride,” “Invited,” “Waiting for Dali,” and other new-to-home-viewing titles.
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Our reviews of “The Young Wife,” “Re:Uniting,” “Blind War,” and more of this week’s direct-to-video/VOD titles.
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Richard Linklater’s latest—the sexy romantic crime comedy ‘Hit Man’—rounds out a trilogy of true(ish) crime stories rooted in his native Texas.
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Our mini-reviews of “You Can’t Run Forever,” “Darkness of Man,” “The Sales Girl,” and more new direct-to-VOD titles.
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To re-record or lip-sync, that is the question.
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Two new documentaries grapple with questions that have only become more pressing in our post-Dobbs world.
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Our mini-reviews of “Dusk for a Hitman,” “Max Beyond,” “Alam,” and more of this week’s straight-to-VOD fare.
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With Alex Garland’s ‘Civil War’ in theaters, we take a look at the long history of blowing up the nation’s capital in the movies.
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Our mini-reviews of several new titles for home viewing, including “Strictly Confidential,” “All You Need is Death,” and “Sweet Dreams.”
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In five films of varying quality, Patricia Highsmith’s sociopathic con artist has proved to be highly adaptable, both personally and artistically.
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