The #GIRLBOSS is dead, but Nancy Meyers’ ‘The Intern’ is alive with ideas about what isn’t working for women in the workplace. It’s worth reconsidering in light of the disillusioning years since its release.
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With “Hallelujah: Leonard Cohen, A Journey, A Song” in theaters, we look at a few of the previous documentary portraits of the iconic singer/songwriter.
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‘Goodfellas’ may be Liotta’s top film, but his performance in Joe Carnahan’s detective thriller remains a step above.
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John Cassavetes’ scorching 1968 drama of marital misery has lost none of its considerable power after decades of imitation and influence.
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This Regency rom-com has the expected empire-waist dresses of Austen adaptations, but it misses what makes her work so enduring.
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Before his horror hit ‘The Black Phone,’ director Scott Derrickson broke into the mainstream with a fascinating combination of courtroom drama and possession thriller.
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In 1979 – less than two years after his death – the life of Elvis Presley was first brought to the (small) screen, by director John Carpenter and star Kurt Russell.
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With the Baz Luhrman biopic in theaters, we take a look at the many nonfiction attempts (and angles) to capture the essence of the King.
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George Stevens’ 1956 smash – now on 4K disc and HBO Max – is an epic of both the landscape and the soul.
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The new horror thriller offers up some striking visuals and compelling themes, but fumbles the execution.
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Peter Strickland is a true original – and his latest feature, unsurprisingly odd as it is, may also be his most approachable.
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An expansion of a trio of viral shorts is, surprisingly, one of the most profound and introspective films to come out of COVID isolation cinema.
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