REVIEW: Boiled Angels: The Trial of Mike Diana Guilty of Being an Entertaining Doc (Fantasia Festival)

(Screened at the 2018 Fantasia Festival; distribution plans not yet announced.) Owing to the slippery definition of the word and our robust (for the time being) First Amendment, it takes a lot to get arrested for “obscenity” in America, let alone actually convicted. A few performers and publishers have been, with famous names like Lenny […]

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Here I Come to Save the Day: The Great White Avenger in Cinema

From The Searchers to You Were Never Really Here, the “captivity narrative” is one of America’s strongest tropes When Lynne Ramsay’s You Were Never Really Here (now available on DVD/VOD) came out this past spring, it was hailed as a modern update of Taxi Driver. Like Martin Scorsese’s similarly artful — and similarly brutal — […]

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REVIEW: Unfriended: Dark Web Is Too Silly to Terrify, but Fun to Go Along With (Fantasia Festival)

(Screened at the 2018 Fantasia Festival; opens July 20 in U.S. theaters) Unfriended: Dark Web has no connection to 2015’s Unfriended except that they adhere to the same format: Both unfold in real time entirely on someone’s computer screen via their Skype sessions, Facebook chats, and so forth. This structure, a reflection of the “we live online” […]

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REVIEW: Quiet Zombies in The Night Eats the World (Fantasia Festival)

(Screened at the 2018 Fantasia Festival; now playing in U.S. theaters and VOD) The Night Eats the World (“La nuit a dévoré le monde”) has a different mood from most zombie films, which proves to be refreshing. It’s less mayhem-oriented, quieter, more drama than horror (though not without its horror), with a compelling central performance and […]

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Peyton Reeding Material: How Bring It On and Down with Love Led to Ant-Man and the Wasp

In March, director Peyton Reed told Empire Magazine that his Ant-Man and the Wasp, despite early reports, is “not a romantic comedy,” and that any romantic connection between its title characters (played by Paul Rudd and Evangeline Lilly) would take a backseat to the action sequences and comedic set pieces. This proved to be true. But […]

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