The scares in Scott Cooper’s horror drama are too long in coming, and ultimately not worth the wait.
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The scares in Scott Cooper’s horror drama are too long in coming, and ultimately not worth the wait.
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Joanna Hogg’s unexpected sequel to her 2019 semi-autobiographical art house hit is a fascinating exploration of life, art, and the thin line that separates them.
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Wes Anderson’s latest meticulously crafted comedy/drama is a loving valentine to the written word (and the French New Wave).
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Mia Hansen-Løve’s latest is a delightful exploration of art, relationships, and how they overlap.
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Cary Joji Fukunaga’s No Time to Die is a fitting finale to the Daniel Craig era of James Bond, which eschewed […]
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Valdimar Jóhannsson’s psychological thriller / familial drama is another case of the ol’ A24 bait-and-switch, but it’s an affecting piece of work for open-minded audiences.
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The Palme d’Or winner from director Julia Ducournau is a full meal of a movie – by turns shocking, sexy, scary, and heartfelt.
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Netflix’s new Melissa McCarthy vehicle is an odd mishmash of incongruent tones and poorly developed characters.
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The new film adaptation of the Broadway smash is ill-conceived on nearly every level.
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Clint Eastwood’s latest stumbles a bit on its way out of the gate, but eventually settles in as an enjoyable and even moving character-driven drama.
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Michael Showalter’s seriocomic biopic has its share of missed opportunities, but the performances (particularly Jessica Chastain in the title role) bring it home.
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The new-to-Netflix action flick may be built from recycled parts, but Mary Elizabeth Winstead gives it the lift it needs.
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