In which we examine the burning question: Is the Mouse House treating its adult-oriented production arm like a red-headed stepchild?
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In which we examine the burning question: Is the Mouse House treating its adult-oriented production arm like a red-headed stepchild?
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With “Public Enemies” joining “Blackhat” on Netflix, we sing the praises of Michael Mann’s messy 21st century digital aesthetic.
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With their new film “Strawberry Mansion” in theaters this week, we look at Albert Birney and Kentucker Audley’s 2017 feature-length expansion of their popular Vine series.
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“Uncharted” lands in theaters this week, so let’s take a look at the sketchy history of video game adaptations – and why the interplay between these two media make them so hard to pull off.
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When the much-ballyhooed “Special Edition” hit theaters 25 years ago, it began an unfortunate tradition of erasing film history.
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In two movies of the 2010s, two filmmakers attempted to capture the charms of the island state – with wildly varying degrees of success.
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The hilariously true story of the Coen brothers’ fictitious editor.
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From ‘Licorice Pizza’ to ‘Dazed and Confused’ to ‘Once Upon a Time in Hollywood,’ a look at the movies where, as Tarantino puts it, “you hang out with the characters so much that they actually become your friends.”
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The Hungarian acrobat, stuntman, horse trainer and martial artist is building a strange career, and a filmography shadowing that of the action icon.
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Audiences have widely dismissed “The Last Duel” as yet another bone-crunching period epic. Look closer.
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A fair number of recent releases have been eagerly described as part of the Italian thriller tradition. But lurid colors and a sharp knife do not a giallo make.
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‘Sopranos’ creator David Chase only penned two theatrical films before the upcoming ‘Many Saints of Newark’ – but both share fascinating common themes with his best known work.
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