John M. Stahl’s Technicolor Noir (the “Gone Girl” of its day) remains a chilling and effective psychological thriller.
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In 1999, Steve Martin and Eddie Murphy skewered Hollywood with a sly satire that also embraced the magic of filmmaking.
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Madonna spent decades searching for the perfect film vehicle – but she only really found it once.
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Many will remember Bob Newhart best as a sitcom star. But he had a film career too, playing a soldier, aged elf, the President of the United States, and even a psychiatrist. Here is our appreciation of his movie stardom.
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Few knew what to make of W.D. Richter and Earl Mac Rauch’s sci-fi comedy when it premiered 40 years ago, but a dedicated cult soon grew around it.
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In these unique and entertaining documentaries, you’ll come for the music and stay for the food.
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Sixty years ago, Godard followed the splashy ‘Contempt’ with a scaled-down heist film about two would-be criminals and the woman who comes between them.
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Robert Downey Sr.’s 1972 acid Western riff on the Christ story is a wild, strange, funny, and confounding piece of work.
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Our look back at the Miramax castoffs of summer ’99 continues with this Colin Firth-fronted coming-of-age comedy/drama.
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How a British director, a British screenwriter, and a British author combined to create a quintessentially American Western.
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This 1986 Sean Penn/Christopher Walken drama is less a crime picture than a Greek tragedy.
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Eddie Muller’s rediscovery and reissue of a forgotten Argentine noir, from the writer of “Rear Window,” reveals a cross-cultural gem.
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