
In 1994, Disney embarked on its first home-video sequel, inadvertently kick-starting an era where the studio began to cannibalize itself for content.
Read moreA look back at the classics
In 1994, Disney embarked on its first home-video sequel, inadvertently kick-starting an era where the studio began to cannibalize itself for content.
Read moreFrank Perry’s 1968 drama (now streaming on Amazon Prime) is a still-shattering story of suburban ennui, anchored by an astonishing Burt Lancaster performance.
Read moreDirector Wayne Wang and writer Paul Auster had such a great time making their Brooklyn indie, they got Miramax to finance another one.
Read moreSet to be rebooted with an opportunistic trilogy, Bryan Bertino’s horror classic derives its power from its haunting ambiguity.
Read moreLuchino Visconti’s adaptation of Thomas Mann’s novella (now streaming on the Criterion Channel) remains as thorny and complicated as ever.
Read moreWith his adaptation of Graham Greene’s ‘Ministry of Fear,’ Fritz Lang showed it was just as important to fight Nazis on the home front as it was on the front lines.
Read moreIn the quarter-century since its release, it’s become abundantly clear that a particular alchemy was at work when writer/director Stephen Sommers crafted his take on the Universal monster.
Read moreAhead of a new biopic about Flannery O’Connor, we look back at the sole adaptation of her Southern Gothic classic.
Read moreThe recent Kino Lorber Blu-Ray marks the latest in a series of restorations of Nancy Savoca’s work. It’s a good reminder that all movies are miracles, some more than others.
Read moreIf the time is right for a ska revival, maybe the electrifying performances in ‘Dance Craze’ will find an enthusiastic new audience.
Read moreFor this month’s rundown of the cinematic misdeeds of Harvey Weinstein, we look back at a 1989 historical drama that Miramax worked overtime to turn into a cause célèbre.
Read moreWoody Allen’s 1985 masterwork is uproariously funny – and a thoughtful examination of reality, fantasy, and the blurry space in between.
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