In between the two “Godfather” films, Francis Ford Coppola made this down and dirty surveillance thriller. Released fifty years ago this week, it might just be his masterpiece.
Read moreA look back at the classics
In between the two “Godfather” films, Francis Ford Coppola made this down and dirty surveillance thriller. Released fifty years ago this week, it might just be his masterpiece.
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In “The Best Man,” a politician played by Henry Fonda considers accusing another, played by Cliff Robertson, of being a “homosexual.” It was the first time the word was used in a major movie.
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In five films of varying quality, Patricia Highsmith’s sociopathic con artist has proved to be highly adaptable, both personally and artistically.
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Remembering one one the great character actors of modern cinema, in the wake of his passing at age 88.
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Steve Spielberg’s debut theatrical feature, released 50 years ago this week, isn’t exactly a Rosetta Stone. But it hints at themes and ideas that would preoccupy his subsequent work.
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Love makes a mess in John Cassavetes’ 1971 romance, now streaming (a rarity) on Amazon Prime Video.
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With Kevin Spacey trying to make a comeback with his new film ‘Peter Five Eight,’ this month’s Harvey’s Hellhole revisits his 1996 directorial debut, a familiar, quietly chaotic bit of real-time pulp that’s the least embarrassing thing he’s done in his career.
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On its 20th anniversary, a look back at Lars von Trier’s controversial and divisive Nicole Kidman vehicle.
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While the Cold War thawed in the late ’80s, Finnish director Aki Kaurismäki chronicled that most unlikely of rock bands, the Leningrad Cowboys.
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“West Indies” is an unusual musical which calls for revolution against the persistence of colonialism and capitalist exploitation.
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Generally considered a classic of the so-bad-it’s-good variety, the original “Road House” is, in actuality, a great movie that subverts viewers’ expectations at every turn.
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Primarily known for his romantic comedies, the late filmmaker is at his best while exploring the darker side of humanity in “Changing Lanes” and “My Cousin Rachel.”
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