Our mini-reviews of “Die Alone,” “All You Need is Blood,” “The House From…,” and more of this week’s lesser-known titles for home viewing.
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Our mini-reviews of “Die Alone,” “All You Need is Blood,” “The House From…,” and more of this week’s lesser-known titles for home viewing.
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Sean Baker’s winning streak continues with this delightfully dirty and warmly humanist portrait of sex work, romance, and their occasional intersections.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our editor-in-chief reports from the 62nd annual NYFF, with mini-reviews of “Blitz,” “Oh, Canada,” “Hard Truths,” “Queer,” “Nickel Boys,” and more.
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Florence Pugh and Andrew Garfield star in this would-be weepie from ‘Brooklyn’ director John Crowley.
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Our mini-reviews of “Plastic,” “The Veil,” “Cash Storm,” and more of this week’s less-heralded VOD and streaming offerings.
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Saoirse Ronan continues to impress in a challenging role as an alcoholic in this hopeful drama.
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Let us ponder the strange case of filmmaker Jason Reitman. When he charged out of the gate with his debut feature […]
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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From Austin’s genre festival, our mini-reviews of ‘Get Away,’ ‘Never Let Go,’ ‘Bring Them Down,’ and more!
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Coralie Fargeat’s body horror treatise on beauty is anything but dull.
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Our mini-reviews of “Guy Manley: Super Spy,” “The Zombie Wedding,” “Last Shadow at First Light,” and more of this week’s straight-to-home-viewing selections.
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