Our mini-reviews of ‘Two Witches,’ ‘Ten Tricks,’ ‘The Wild Man,’ and more new direct-to-VOD fare.
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Olivia Wilde’s MUCH-discussed psychological drama may not have justified the festival hubbub, but it’s still worth checking out.
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Gina Prince-Bythewood’s latest has all the hallmarks of a franchise blockbuster — kickass action, fist-pumping triumphs, a rousing score, etc. — but sets itself apart by centering Black women in its narrative.
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Ti West’s ‘X’ prequel is a very different film from its predecessor – and, thanks to the tour de force performance at its center, it may be a better one.
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In this week’s minor VOD releases, couples deal with challenges over religious differences, estranged relatives, and alternate dimensions, while teen pop […]
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The controversial writer/director’s dual return to feature filmmaking is a pale reflection of his former ferocity.
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Our mini-reviews of ‘Maneater,’ ‘The Book of Delights,’ ‘Adieu Godard,’ and more of the newest direct-to-VOD fare:
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This contemporary take on ‘Dog Day Afternoon’ is well-acted, well-executed, and morally complicated.
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The new George Miller feature is a little messy, sure. But as a demonstration of sheer filmmaking craft, it’s hard to beat.
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Baltasar Kormákur’s latest delivers on its “Idris Elba vs. a lion” premise, with the actor nicely elevating the sleek survival thriller.
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The latest from filmmaking-writing-acting team Jeff Baena and Alison Brie boasts juicy performances but a sour tone.
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Aubrey Plaza plays it straight in this compelling and effective crime thriller – and comes up with her best performance to date.
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