James Ponsoldt’s latest is basically a gender-swapped ‘Stand by Me’, but it lacks everything that makes a good coming-of-age drama.
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James Ponsoldt’s latest is basically a gender-swapped ‘Stand by Me’, but it lacks everything that makes a good coming-of-age drama.
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Our mini-reviews of ‘Canvas,’ ‘Tin Can,’ ‘My Favorite Girlfriend,’ and more new straight-to-VOD fare.
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Over the course of two movies and a handful of TV episodes, Dan Trachtenberg has demonstrated he’s a sure hand at […]
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The ensemble comic mystery is full of dynamic performances and memorable dialogue, even if it never quite pulls together.
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BJ Novak’s directorial debut features sharp laughs and even better performances from a deep ensemble led by Boyd Holbrook and Ashton Kutcher.
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This painted attempt to satirize privileged influencers becomes a prime example of what it’s targeting.
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Our mini-reviews of ‘Infared,’ ‘Gulliver Returns,’ ‘Shalom Taiwan,” and more of the new straight-to-VOD fare.
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Jordan Peele’s latest is ambitious, thoughtful, and occasionally thrilling – but it never quite pulls together into a coherent whole.
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Jono McLeod’s Sundance selection is a documentary with a trick or two (or, perhaps, a trick too many) up its sleeve.
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The problem with ‘Persuasion’ isn’t just its near-heretical take on the Jane Austen classic; it’s that it does it so poorly.
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Olivia Newman’s much-ballyhooed adaptation of the 2018 bestseller is a maddeningly generic piece of work.
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Our mini-reviews of “Karmalink,” “The Summoned,” “Love Accidentally,” and more of this week’s straight-to-home-viewing fare.
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