Netflix’s second “Fear Street” film is a stronger effort than the first – and more steeped in the style (and gore) of its era.
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Mini-reviews of ‘Scenes from an Empty Church,’ ‘Hatched,’ ‘Road to the Lemon Grove,’ and more of new direct-to-VOD titles.
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The first of Netflix’s three “Fear Street” movies has a germ of a good idea, but the execution is off the mark.
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Deftly mixing mumblecore, surrealism, and LGBTQ themes, Brandon Colvin’s comedy/drama is slight but sweet.
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“Zola” is entertaining, to be sure, but this Twitter-thread journey is ultimately a road to nowhere.
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The Hulu-debuting pregnancy thriller is a mostly unsuccessful attempt to fuse ‘Rosemary’s Baby’ and ‘Get Out.’
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This horror comedy has a juicy premise and some gifted performers, but it never quite comes together properly.
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Our mini-reviews of ‘Les Nôtres,’ ‘Finding Ophelia,’ ‘Take Back,’ and more.
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Pixar’s latest animated feature is a Miyazaki-inspired summer treat.
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Jessica Barden shines, and the details feel authentic, but Nicole Riegel’s drama is aimless and messy.
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Though prone to occasional slickness, the film adaptation of Lin-Manuel Miranda’s Broadway hit is infectious, joyful, and frequently moving.
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The latest installment in the durable horror franchise is a mixed bag: solid performances from its leads, hampered by a fatally flawed home stretch.
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