Christian Petzold’s latest is a modern-day urban fairy tale, wrapping delicate truths in its fantastical clothing.
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Christian Petzold’s latest is a modern-day urban fairy tale, wrapping delicate truths in its fantastical clothing.
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Nobody asked for Disney’s latest experiment in live-action origin story IP exploitation, but it does offer some minor pleasures.
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John Krasinski’s sequel to his alien monster horror hit shows, oddly enough, little understanding of what made the first film work so well.
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Mini-reviews of five new straight-to-VOD titles, including ‘American Fighter,’ ‘’Drunk Bus,’ and ‘Digging to Death.’
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The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.
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Michel Franco’s bitterly neo-realistic social drama is a grim, unpleasant, and rarely insightful slog.
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You don’t have to know its labored production and release history to diagnose ‘The Woman in the Window’ as an absolute mess. But that helps explain it.
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David Charbonier and Justin Powell’s low budget horror movie is eerily effective, thanks to a resourceful approach and a spellbinding leading performance.
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Our mini-reviews of ’15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind),’ ‘Benny Loves You,’ ‘What Lies West,’ and more.
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Guy Ritchie’s latest is a lifeless, listless, hopeless mess, with the once exciting writer/director (and his frequent star Jason Statham) merely going through the motions.
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Streaming on Netflix three-plus years after its Sundance debut, ‘Monster’ is an adequate but uninspired story of racial injustice.
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Netflix’s new animated family comedy is a rollicking treat – with something to say about technology and personal connection.
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