Tom McCarthy’s latest is a tricky but rewarding picture, complicating our notions of rugged American individualism (and Matt Damon’s screen persona).
Read more
Tom McCarthy’s latest is a tricky but rewarding picture, complicating our notions of rugged American individualism (and Matt Damon’s screen persona).
Read more
Edson Oda’s Sundance drama is ambitious but messy, with a solid premise and winning performances often undermined by flimsy writing.
Read more
The new Mark Wahlberg drama has its heart in the right place… and little else.
Read more
In his latest thriller, M. Night Shyamalan again proves himself a director who makes ~choices~.
Read more
The latest low-budget genre quickie from producer (and now director) Randall Emmett offers up about what you’d expect: clumsy storytelling, strange casting choices, and about 15 minutes of Bruce Willis.
Read more
Our mini-reviews of ‘Great White,’ ‘How to Deter a Robber,’ ‘The Nest,’ and more.
Read more
The third and final ‘Fear Street’ film is, sadly, more of the same – a few good ideas, some enjoyable performances, but little in the way of follow-through.
Read more
The new Nicolas Cage vehicle ‘Pig’ is being sold as an action-heavy ‘John Wick’ riff. It is not that movie AT ALL.
Read more
The kindest reading of Space Jam 2: A New Legacy is that it exists only to extend the brand of NBA […]
Read more
Marvel is back in the theaters – with a low-energy, checkbox-ticking entry, noteworthy only for the happy addition of a welcome supporting player.
Read more
Netflix’s second “Fear Street” film is a stronger effort than the first – and more steeped in the style (and gore) of its era.
Read more
Mini-reviews of ‘Scenes from an Empty Church,’ ‘Hatched,’ ‘Road to the Lemon Grove,’ and more of new direct-to-VOD titles.
Read more