Category: Reviews

Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.

The over-the-top comedy (new on Hulu) offers up a handful of laughs and some missed opportunities.

Lisa Joy’s debut feature is an ingenious and ambitious mashup of sci-fi and neo-noir, with stellar performances to help sell its occasionally dodgy storytelling.

The gun-blazing action vehicle has all the depth of a throwaway programmer, but little of the pleasure.

Surprisingly enough, ‘Free Guy’ is a witty, thoughtful, and engaging piece of pop entertainment.

Leos Carax’s Cannes award-winning Sparks musical is delightfully daft, unapologetically operatic, and frequently spellbinding.

The debut feature from director Pascual Sisto is impressively crafted, if a bit too heavy-handed with its influences.

Tom McCarthy’s latest is a tricky but rewarding picture, complicating our notions of rugged American individualism (and Matt Damon’s screen persona).

Edson Oda’s Sundance drama is ambitious but messy, with a solid premise and winning performances often undermined by flimsy writing.

The new Mark Wahlberg drama has its heart in the right place… and little else.

In his latest thriller, M. Night Shyamalan again proves himself a director who makes ~choices~.