When Iris Apfel died in March, she left behind an improbable legacy as—to use her words—“a geriatric starlet.” After living in […]
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Across four recent movies, French filmmaker Julien Leclercq has established himself as an action auteur with seriousness and purpose.
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Our mini-reviews of “The Last Year of Darkness,” “Easter Bloody Easter,” “Powder Pup,” and more straight-to-home fare.
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Staring down declining ratings and a sense of lost relevancy, the Oscar ceremony has contorted itself into pretzels trying to reclaim its former glory. But there’s a simple solution.
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Our reviews of “Murdaritaville,” “Night Shift,” One-Percent Warrior,” and more new movies for home viewing.
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Our reviews of “No Way Up,” “Kemba,” “Camp Pleasant Lake,” and more of this week’s straight-to-home-viewing fare.
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Our reviews of “Ghostwritten,” “Marmalade,” “Willie and Me,” and more new video on demand offerings.
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Alfred Hitchcock’s gripping, suspenseful morality play about shipwreck survivors during World War II is just as relevant now as when it was released 80 years ago.
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Our mini-reviews of “In the Morning of La Petite Mort,” “Wanted Man,” “Bad Hombres,” and more of this week’s video-on-demand fare.
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Our mini-reviews of “A Place Of Our Own,” “Hellhounds,” “Hellhound” (two different movies!) and more.
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Over the course of three films, Joe Swanberg and Jake Johnson took important artistic and personal steps reflected in the next phases of their careers.
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Nestled within the dramatic conducting sequences and prosthetic noses of “Maestro” is a quiet moment of grief so understated that it almost feels like it was an accident that it was included in the first place.
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