In boarding school dramas like ‘Dead Poets Society,’ ‘Tea and Sympathy,’ ‘The Emperor’s Club,’ and the new ‘The Holdovers,’ filmmakers deftly explore the complications of upper-class abandonment.
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This week’s round-up of new titles on VOD includes “Sick Girl,” “The Most Remote Restaurant in the World,” “Boudica: Queen of War,” and more.
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Joe Bob Briggs creates the ultimate celebration of B-movie culture for three days at a Las Vegas drive-in theater.
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Our mini-reviews of “The Plus One,” “Mary Had a Little Lamb,” “Caddy Hack,” and more of this week’s straight-to-home fare.
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The Austin-based genre festival offered some frustrations for attendees, but the selections were as solid as ever.
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Our mini-reviews of “Barber,” “Condition of Return,” “The Curse of the Willow Song,” and more.
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Though a spate of recent movies have centered on famous merchandise, various factors undercut their item idolatry, keeping them from becoming extremely long advertisements.
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Our mini-reviews of “King of Killers,” “American: An Odyssey to 1947,” “The Latent Image,” and more.
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“Ashkal: The Tunisian Investigation,” “Brightwood,” and “The Dive” are the highlights of this week’s indie VOD titles.
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Long before ‘Oppenheimer,’ two classic genre films dealt (at least implicitly) with the fallout of the bomb.
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The new take on “The Haunted Mansion” is the Mouse House’s most recent stab at their ongoing effort to adapt movies from an unlikely source.
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With ‘Barbie’ hitting theaters this week, a look at how the director has used distinctive color palettes throughout her career.
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