Though a spate of recent movies have centered on famous merchandise, various factors undercut their item idolatry, keeping them from becoming extremely long advertisements.
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Our mini-reviews of “King of Killers,” “American: An Odyssey to 1947,” “The Latent Image,” and more.
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“Ashkal: The Tunisian Investigation,” “Brightwood,” and “The Dive” are the highlights of this week’s indie VOD titles.
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Long before ‘Oppenheimer,’ two classic genre films dealt (at least implicitly) with the fallout of the bomb.
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The new take on “The Haunted Mansion” is the Mouse House’s most recent stab at their ongoing effort to adapt movies from an unlikely source.
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With ‘Barbie’ hitting theaters this week, a look at how the director has used distinctive color palettes throughout her career.
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Our mini-reviews of ‘The Flood,’ ‘August at Twenty-Two,’ ‘Ouija Shark 2,’ and more new-to-home titles.
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Over 20-plus years and five seasons, reality show ‘Project Greenlight’ has produced a strange assortment of movies that chart the evolution of the corporate indie film.
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With a new “Mission: Impossible” in theaters, a look at the surprising secrets to the series’ ongoing success.
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Our mini-reviews of “Transmorphers: Mech Beasts,” “South fo Sanity,” “Tiger Within,” and more new straight-to-VOD flicks.
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Quick-hit reviews for “Midday Black Midnight Blue,” “Surrounded,” “Coyote,” and more of this week’s straight-to-VOD titles.
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The release of Wes Anderson’s latest movie has inspired a host of criticism and tributes which, unfortunately, trade in the same clichés and do injustice to his body of work.
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