Our mini-reviews of ‘Trigger Point,’ ‘We Broke Up, ‘ ‘Murder Bury Win,’ and more new direct-to-VOD releases.
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The 2015 Gothic horror romance from @RealGDT, now streaming on Netflix, is one of his very best films – haunted and haunting, chilling and lovelorn.
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When it hit theaters 45 years ago, Alan J. Pakula’s Watergate explainer seemed like a giant risk. Some thought on how they pulled it off – and how it plays now.
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Our mini-reviews of ‘Embryo,’ ‘The Slaughterhouse Killer,’ ‘Sugar Daddy,’ and more of this week’s fringe VOD releases.
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The VOD and streaming eras have robbed us of one of the greatest pleasures of the ‘80s and ‘90s: stumbling upon something absolutely inexplicable in the middle of the night on cable TV.
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The queen of ’90s rom-coms has fallen out of Hollywood’s favor – and we’re all poorer for it.
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A survey of the beloved Scottish band’s forays into film music and filmmaking, and how their music lends itself to the movies of the moment.
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With “Cherry,” Tom Holland joins the ranks of heartthrobs who try to prove their Serious Actor mettle by dropping their baby fat and cranking up the tics.
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In this excerpt from his new book, Tim Grierson explains the close-up via its use in ‘Persona,’ ‘The Passion of Joan of Arc,’ and ‘If Beale Street Could Talk.’
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Our mini-reviews of ‘Cosmic Sin,’ ‘The Dead of Night,’ ‘Dark Web: Cicada 3301,’ and more.
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Disney’s latest feature is out this week, and we’re eagerly awaiting the chief sign of its cultural penetration: a cheapo mockbuster imitation.
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As his 65th birthday approaches, a survey of the work of the enigmatic Canadian filmmaker, currently on display over at the Criterion Channel.
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