In a way, The Irishman speaks to the odd crossroads where we find ourselves in the midst of the streaming wars. […]
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In a way, The Irishman speaks to the odd crossroads where we find ourselves in the midst of the streaming wars. […]
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The opening of Graham Swon’s debut feature, The World is Full of Secrets, is intriguing and odd: a shadowy background of […]
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Kasi Lemmons’ Harriet is a biopic about abolitionist icon Harriet Tubman that feels as if it were made not in 2019 […]
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In 1989, the popularity of the Nightmare On Elm Street series and its flagship character, Freddy Krueger, were still going strong. […]
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Winnipeg, Canada, has produced more than its share of strange and singular filmmakers. Guy Maddin is likely the most well-known, but […]
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In Countdown, the mildly stupid teen horror flick about a phone app that tells you how long you have to live, […]
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Greener Grass is an absurdist suburban satire written and directed by Upright Citizens Brigade alumnae Jocelyn DeBoer and Dawn Luebbe, populated […]
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You’d be forgiven for thinking The Lighthouse is a comedy when the first two things that happen are Robert Pattinson bumping […]
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Another one of this week’s unnecessary sequels is Zombieland: Double Tap, a hit-or-miss follow-up to the perfectly good 2009 comedy that […]
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Once upon a time (wait, actually just this week), Disney released a live-action sequel that literally no one asked for that […]
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Tell Me Who I Am (on Netflix) belongs to the category of documentaries that are better enjoyed the less you know […]
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The attention-grabbing pitch for Jojo Rabbit — a little German boy near the end of World War II has an imaginary […]
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