Our mini-reviews of “You Can’t Run Forever,” “Darkness of Man,” “The Sales Girl,” and more new direct-to-VOD titles.
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To re-record or lip-sync, that is the question.
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Two new documentaries grapple with questions that have only become more pressing in our post-Dobbs world.
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Our mini-reviews of “Dusk for a Hitman,” “Max Beyond,” “Alam,” and more of this week’s straight-to-VOD fare.
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With Alex Garland’s ‘Civil War’ in theaters, we take a look at the long history of blowing up the nation’s capital in the movies.
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Our mini-reviews of several new titles for home viewing, including “Strictly Confidential,” “All You Need is Death,” and “Sweet Dreams.”
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In five films of varying quality, Patricia Highsmith’s sociopathic con artist has proved to be highly adaptable, both personally and artistically.
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When Iris Apfel died in March, she left behind an improbable legacy as—to use her words—“a geriatric starlet.” After living in […]
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Across four recent movies, French filmmaker Julien Leclercq has established himself as an action auteur with seriousness and purpose.
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Our mini-reviews of “The Last Year of Darkness,” “Easter Bloody Easter,” “Powder Pup,” and more straight-to-home fare.
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Staring down declining ratings and a sense of lost relevancy, the Oscar ceremony has contorted itself into pretzels trying to reclaim its former glory. But there’s a simple solution.
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Our reviews of “Murdaritaville,” “Night Shift,” One-Percent Warrior,” and more new movies for home viewing.
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